Reimagining James Fenimore Cooper's nineteenth-century "The Last of the Mohicans" from the contemporary perspective of an urban Nisga'a person whose relationship to land and traditional knowledge was severed by colonial violence, Jordan Abel explores what it means to be Indigenous without access to familial territory and complicates popular understandings about Indigenous storytelling. The successive chapters of "Empty Spaces" move toward an eerie, looping, and atmospheric rendering of place that evolves despite the violent and reckless histories of North America.
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